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Giovanni Paisiello
Italian composer, considered the most important author of comic operas after Mozart as well as one of the main reformers of modern music. He studied music in Naples, at the Academy of Music of St. Onofrio at Capuana, with Francesco Durante. His theatrical activity started in 1764 in Boulogne, with the work: Il Ciarlone (The Gossip). Afterwards, he dedicated himself with success to serious operas, setting to music librettos written by Metastasio. In 1775 he was claimed in St. Peterborough, at the court of Catherine the Great, as choir-master, taking the place of Tommaso Traetta. In 1784, due to contrasts with the court musical environment and to the weak health of his wife, he decided to return to Naples.
A supporter of Naples republic, during 1799 revolution, Paisiello was invited in Paris for three years (1801 - 1804) during which he reorganized Napoleon’s choir. Back in Naples, because of the relationship established with Napoleonic France and the restoration of the Bourbons on the throne, he was deprived of any tasks. Paisiello’s opera production, developed through a period of over fifty years, counts almost a hundred of comic and serious works. His stylistic evolution keeps at its internal in a coherent way the elements which immediately distinguished his expressive ability as a composer. On one side his pathetic-sentimental inspiration well exemplified in one of his masterpieces, ‘Nina pazza per amore’ (Nina fool for love, 1789); on the other, the traditional Naples comic inspiration, adapted to written works, such as ‘Il Mondo della Luna’ (The World of the Moon, 1782, on a text by Carlo Goldoni) and ‘Il Barbiere di Siviglia’ (The Barber of Seville, 1782, from Beaumarchais comedy). Among the other works by Paisiello, it is worth remembering ‘Il re Teodoro in Venezia’ (King Theodore in Venice, 1784), ‘Il Socrate Immaginario’ (The Imaginary Socrates, 1775), and ‘La Molinara’ (1788). Paisiello was also the author of masses, oratories and of instrumental music: orchestra symphonies, concerts, quartets and sonatas.


Architetti Vanvitelliani
     
Ferdinando IV di Borbone
     
Bernardo Tanucci
     
Philipp Harcket
     
Giovanni Paisiello

 



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